Native vertical video for paid social, shot to feel like a post. Hook variations so your media buyer has something to test. Priced per asset.
Stills and film for your own feed, site and campaigns, shot to your visual system. Concepted and directed, not only filmed. Priced by the day.
Instagram followers
TikTok Followers
Monthly Views
Direct to camera, morning light. Run through an agency, so briefs and approvals were handled the way a bigger client expects.
A try-on that shows fit and movement, which is what a customer needs to see before buying online.
Skincare ASMR, shot at my own sink. Captioned step by step, with the sound doing the selling.
Filmed solo on a tripod while I was in the chair. No crew, which is what a studio with no marketing team needs.
Countries shot in
Day turnaround
Hook variations per shoot
I work as a creative director for beauty and food brands, setting the visual system, concepting campaigns, casting and directing the shoots. Your brief lands with someone who already knows what a usable asset looks like.
I have negotiated deliverables, rights windows and paid usage direct with brands and with agencies. Terms get written down with an expiration date, and nobody has to explain the contract twice.
Ocean, boutique hotels, reformer studios and restaurants are minutes away, and LA is close enough for a same day shoot. On-location work without a travel line in your budget.
Gap, through Buttermilk Agency. The Outset. Coutgo. Cicy Bell. Plus creative direction for 27 Skin Studio, SOL BARA, and Misako's Matcha, which is where the brand-side perspective comes from.
Instagram and TikTok. Everything is shot vertical at 1080 by 1920 and delivered edited with captions, or as raw files if your team would rather cut it in house.
Yes, and it changes how I shoot. If the content is going into paid media I film two to three hook variations off the same session so your media buyer has something to test. Paid usage is priced separately from creation, with a start date and an end date.
I reply the same day with a rate sheet and a couple of concept directions for your product. If it is a fit, we agree deliverables and usage in writing, I film within a week, and edits land five to seven days after that.
Retainers are the work I want most. Four or eight videos a month with hook variations and usage included, on a standing shoot day. It costs less per asset than booking one at a time, and by month two I already know your brand.